The Commons is rarely a forum for craft. Policy, economics, foreign affairs. Yet in May 2025, the subject was neon. Yasmin Qureshi, Labour MP for Bolton South and Walkden, delivered a striking intervention. Her message was uncompromising: authentic neon is cultural heritage. She warned against plastic imitations, saying they undermine public trust. Only gas-filled tubes deserve the title. Another Labour voice joined, positioning neon as regional creativity.

The benches responded warmly. Data told the story. From hundreds, the number has fallen to a few dozen. The pipeline of skills has closed. Without action, the tradition could vanish. Qureshi proposed legal recognition, similar to Harris Tweed. Preserve authenticity. From Strangford, Jim Shannon rose, bringing a commercial lens. Reports show 7.5% annual growth. His point: authentic craft has future potential. Closing remarks came from Chris Bryant, Minister for Creative Industries.

He teased the chamber with jokes, drawing laughter. Yet beyond the humour, buy neon lights he recognised the seriousness. He cited neon’s cultural impact: the riot of God’s Own Junkyard. He emphasised longevity. Why the debate? The issue is clarity. Craft is undermined. That threatens heritage. Comparable to food and neon lights store textile protections. If Harris Tweed must be Hebridean, then signage should tell the truth. This was about identity. Do we accept homogenised plastic across every street?

At Smithers, the stance is firm: authentic glow endures. Westminster glowed for a night. No law has passed yet. But the campaign is alive. If Parliament can value neon, so should you. Skip LED pretenders. Keep the glow alive.

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